Tokyo bubble life

When Yi Tangxiu returned to the studio at noon,

Found that Naoki Naoyama and Otomo Yoshimura were editing something in the operating room,

"Naoki-san, Otomo-san, what are you doing?"

"Ah, Xiu Yisang, you're back!"

The production crew is very busy these days, and Shuichi Ido seldom returns to the studio, and occasionally comes back to get some equipment, "We are editing the film we shot these two days."

"A film was taken? What film?"

Naoki Naoyama said: "Two days ago, Otomo-san didn't believe that I had become a teacher, so I wanted to make a short film to prove it."

"Haha, now that I've edited it briefly, it's actually over an hour long, so it's already a movie~"

"Nani?!" Yi Tangxiu was startled, "I haven't seen you for three days, and you actually made a movie behind my back?"

Fangcun Dayu quickly said: "It's nothing, I just want to make a short film, and the time is a little longer."

In fact, he didn't know the difference between making a feature film and a short film. He simply thought it was just the length of time. In fact, if he wanted to make a movie, there were big differences in the plot, the use of cameras, and even the shooting and editing.

Simply put, movies and short films are the difference between adults and children.

Itang Xiuyi leaned over and looked at it for a while: "Is it a long shot? Or a fixed shot?"

"In fact, there are 3 fixed shots and 2 long shots to follow up. I originally wanted to make a film similar to a documentary."

Although the definition of pseudo-documentary has been around for a long time, it has not been widely spread in the film industry at this time. The earliest pseudo-documentary "Real Records of People Cannibalism" was only released last year, so the form of Naoki Naoki's filming was in the form of Itou Shuichi. It looks very new.

Once Yi Tangxiu saw this, he couldn't stop.

"Oh don't care~"

This afternoon, Shuichi Ido did not return to the crew to continue filming.

It is said that the assistant director of the crew was asked to shoot some clips, which made the young assistant director very happy. In small-scale Showa dramas, the assistant director is usually the chief supervisor of the set, and it is not his turn to shoot.

On the other hand, Shuichi Yitang nestled in the studio of the studio, working on this long "documentary" with Naoki Nagayama and Otomo Yoshimura.

Professional directors are different. As soon as Osamu Ido figured out the basic plot, he began to direct the editing.

"Naoki-san, you're too close to the camera!"

"Naoki-san, the picture change here is too rigid, use other clips to buffer it."

"Naoki-san, the pace here is too slow, please be brief. If there is no story at night, you can speed up the pace appropriately."

"Naoki-san"

Before he could finish speaking, Naoki Yongshan interrupted directly, "Xiu Yisang!!"

Then, with a slightly confused expression on Yitang Xiuyi's face, he said with a smile: "Xiuichi-san, come here, sit down and cut."

"Say it earlier, I'm anxious to see it!"

As a professional director, how could he see such a trendy movie form slipping away under his hands.

Changed places with Shuichi Ido, and when Shuichi Ido sat down, Naoki Nagayama was sure he heard a sigh of satisfaction.

This guy has long wanted to get started!

When Shuichi Yitang took over, Naoki Naoyama began to think about the follow-up promotion,

Although it was a pseudo-documentary horror film made only after a flash of inspiration, similar shooting techniques in later generations have achieved great success, and even led the trend of pseudo-documentary horror films. The famous Sadako series also borrowed from many video tapes. element.

It's just that there is something special in the way of publicity. If this is the case, can it be replicated in RB?

Although the film was shot in RB this time, only the main character has been changed, and the basic plot has remained roughly the same. The camera is not particularly complete in this era, and with a few not very professional actors, it even highlights the false The realism of the documentary.

Not to mention leading the trend, it should be no problem to make a fortune normally.

The film circle in the Showa era was still dominated by a few old-school film companies. If you want to spread it across theaters, you can't avoid it. If you don't avoid it, how can you promote it?

After thinking about it for a long time, he couldn't come up with a clue, so Naoki Naoyama called Otomo Yoshimura, the universal tool man, out.

"Otomo-san, do you know anyone from the movie theater?"

"Naoki-san, I've had this feeling before, it seems that you always think I know a lot of people?"

Otomo Fangcun, a tool man, wants to awaken his consciousness.

"The manager of the disco and the editor of the publishing house were all like this. It seems that every time they can't find someone, they will come to me?"

"Well, after all, it's Otomo-san with rich experience!" Naoki Naoyama complimented, "It's still in the department dealing with foreign affairs that got mixed up to the ministerial level."

RB's entertainment industry is so big, and the pattern has not changed for decades.

I have been in the circle for a long time, and I know everyone more or less. If nothing else, it will be no problem to get online. Otherwise, how could I drink with the director of Fuji TV before.

"Since you said that." Fangcun Otomo was very coaxing, just now it was just a joke among friends, "I seem to know a few people in the movie theater, Naoki-san, will the movie we make be released in the movie theater?" ?

It's only an hour long, isn't it enough time~"

"Ah, it seems that there is not enough time now, but it's just the two of us's preliminary editing. After Xiu Yisang uses all the other shots, it's almost enough."

"So, Naoki-san, we really made a movie!!!"

Fangcun Dayou was a little excited, and his playful behavior could actually make a finished product, which was something he had never imagined.

"Ah, you can certainly say that."

"In addition, Otomo-san, it is already mid-to-late September, and it is estimated that the film will be completed by the end of September.

In October, Halloween is coming. Our movie is a horror movie. If it can be released during Halloween, the effect will be better. "

Everyone knows that making a movie is very risky and the return is super high. The small part of this risk falls on the quality of the movie, and the big part is mainly reflected in the distribution, especially in the RB movie circle, which is firmly controlled by several old production companies. Toho , Toei, Shochiku, Kadokawa, Nikkatsu.

It is basically impossible for a newly released movie to be distributed nationwide without the name of a big company.

And if the distribution is not done well, no matter how good a movie is, it will be difficult to succeed.

Otomo Fangcun nodded: "I understand, the resources of the movie line will be discussed and watched, but it may be more difficult for the national theater line."

"Stupid tape, our initial consideration is that it can be released in a small area, and when it becomes more famous, big companies will come to discuss distribution."

The first pseudo-documentary horror film is destined to be a long-term blockbuster, and as time goes on, it will become more and more famous.

What kind of impact will a horror movie with no investment, no stars, no director, and even non-professional actors have in the film industry?

Naoki Naoyama is looking forward to it~